Showing posts with label Merle Oberon. Show all posts
Showing posts with label Merle Oberon. Show all posts

24 February 2023

How dear of you to write with such warmth and affection

Audrey Hepburn and Merle Oberon were friends and, at different points in time, both romantically linked to the same man, Dutch actor Robert Wolders. In 1973, Merle met Wolders during production of the film Interval and they fell in love (Wolders being 25 years younger than Merle). At the time Merle was still married to Italian industrialist Bruno Pagliai, whom she divorced that same year. Merle and Wolders tied the knot in 1975, their marriage lasting until Merle's death from a stroke in 1979, at age 68. 

Audrey was still officially married to Italian psychiatrist Andrea Dotti when she and Wolders entered into a relationship in 1980. The two had met the year before at a dinner party while Wolders was still grieving over Merle's death. Audrey and Wolders were together for 13 years when Audrey died from cancer in 1993 (aged 63). In 1989, she described her years with Wolders as the happiest of her life. Following Audrey's death, Wolders briefly dated Leslie Caron before starting a long-term relationship with Henry Fonda's widow Shirlee (from 1995 until Wolder's own death in 2018). About the women in his life Wolders said in a 2012 interview: "The odd thing is that Shirlee was a great friend of Audrey, and a great friend of Merle. In the same circle. Maybe it sounds odd. They were friends, each one, and I knew that Merle would have approved of me being with Audrey certainly ... And Audrey would have approved of Shirlee."

Robert Wolders with Merle Oberon (above) and Audrey Hepburn (below)

Rewind to the spring of 1969, long before Robert Wolders would enter the picture. Merle was married to Bruno Pagliai (and living with him in Mexico) and Audrey had just married Andrea Dotti a few months earlier. In the letter below from Audrey to Merle, Audrey talks about her new-found happiness with Dotti. Sean, whom Audrey mentioned, was her son by first husband Mel Ferrer.

Audrey Hepburn and Andrea Dotti, who were married from 1969 until 1982. They had one son, Luca (born 1970).


Transcript:

11 April 69

tel. 655.370

Dearest Merle,

Returned last night from a snowy lovely holiday with Doris [Brynner] in St. Moritz to find your adorable letter here.

How dear of you to write with such warmth and affection.

Yes I am so happy and relaxed and every moment of the day has become so marvellous. 

I have the dearest most wonderful most loving husband and he's bright and funny, and dear with Sean and ... and... and I am so blessed and know it every second which is so good. 

Would love to come and see you one day ... it sounds so romantic.

Thank you, thank you and a huge HUG.

Till soon -
Audrey

1 November 2020

You have always been one of the most gracious people in the world

Norma Shearer's closest friend in Hollywood was fellow actress Merle Oberon. By the time Merle had her first substantial film role, Norma was already a big star. The two actresses were regularly seen together at social functions, around the mid-thirties often accompanied by their respective partners (Norma by husband Irving Thalberg and Merle by David Niven). Searching the web for more information about their friendship, unfortunately I found very little. There's only the occasional scrap of news— like when Merle's fiancĂ© Count Giorgio Cini tragically died in a plane crash in Cannes (France) in 1949, the only person there to comfort Merle was Norma.

But of course I wouldn't be doing this post if I hadn't found a letter too. On 30 September 1970, Norma wrote to Merle after the two had just seen each other, seemingly for the first time in several years. Norma was thrilled to meet her friend again and afterwards composed an affectionate and graceful letter (seen below), which I'm sure Merle was happy to receive.

"One of the most valuable things in Merle’s life is her friendship with Norma Shearer. Her whole face lights up when she speaks of her." Film Weekly, 6 February 1937.


Transcript:

Sept 30/70

My dear Merle —

It was such a joy to see you the other day and to meet your beautiful young son. The last time I saw him I think he was about four years old. Not only is he so handsome but he has such beautiful manners.

But why not, as you have always been one of the most gracious people in the world. Speaking of such things, may I thank you for your most kind and thoughtful letter when I was so sick which touched me deeply. 

Please know you will always be in our hearts - wishing you and Bruno health and happiness always.

Devotedly
 
Norma

Note:
At the time Merle Oberon was married to Italian-born industrialist Bruno Pagliai, whom she divorced in 1973. After Thalberg's untimely death in 1936, Norma married ski-instructor Martin Arrouge in 1942. They remained married until Norma's death in 1983.

Above: 1936, Merle Oberon and Norma Shearer attending The Mayfair Ball in Beverly Hills, California, with David Niven and Irving Thalberg. Below: December 1935, Merle and Norma at an event in Los Angeles with Miriam Hopkins and Dolores Del Rio. 
Above: 1938, Norma and Merle at a social event with their respective dates James Stewart and Douglas Fairbanks Jr. After the death of Irving Thalberg, Norma and Jimmy Stewart had a brief romance.
Above: Merle and Norma at a Hollywood luncheon in March 1942. Below: At Norma's Santa Monica Beach House in California in 1937.
Below: Norma doing cartwheels in her garden in 1936 with her friend Merle looking on.

25 September 2019

Darling Merle

Laurence Olivier and Merle Oberon couldn't stand each other while making William Wyler's Wuthering Heights (1939). Although they had gotten along during production of the comedy The Divorce of Lady X (1938)their working relationship on Wuthering Heights was far from pleasant. Olivier had lobbied to get his then-lover and wife-to-be Vivien Leigh cast in the role of Cathy but producer Samuel Goldwyn wanted Oberon. (The supporting role of Isabella was offered to Leigh but she refused.) Olivier was unimpressed with Oberon's acting abilities and is said to have called her "an amateur", feeling that Leigh would have made a much better Cathy. Oberon, in turn, wasn't happy with Olivier either. During a kissing scene she accused him of spitting on her. When Olivier retorted "What's a little spit for Chrissake between actors? You bloody little idiot, how dare you speak to me..."Oberon fled the set crying and director Wyler made Olivier apologise to her.

Above: Laurence Olivier and Merle Oberon as Heathcliff and Cathy in Wuthering Heights. Below: Vivien Leigh visits Olivier and Oberon on the set of Wuthering Heights.

In 1959, twenty years after Wuthering Heights, Merle Oberon contacted Olivier with regards to Shakespeare's Macbeth. As actor-director Olivier had done three successful Shakespeare film adaptations, Henry V (1944), Hamlet (1948) and Richard III (1955), and he desperately wanted to film Macbeth as well. However, his attempts to picturise the play had failed, mainly due to financial problems, and the project was shelved in 1958. When Olivier received Oberon's letter asking if he was interested in re-embarking on Macbeth, he was "touched and grateful" that she had thought of him, as he told her in his reply on 22 August 1959. Olivier didn't have time to do Macbeth, however, and wouldn't resume the project at a later date either. (While Olivier never made a film version of Macbeth, in 1955 he had starred in a much-praised stage production with himself in the title role and Vivien Leigh as Lady Macbeth.)

In his letter Olivier is quite affectionate towards Oberon. The hatchet between them had apparently been buried. 


Source: Bonhams

Transcript:

Stratford-on-Avon.
August 22nd. 1959.

Darling Merle,

Thank you so very much for your so sweet letter. I am deeply, deeply touched by your thinking of me and wishing to help in this way- and enormously grateful.

The trouble now is that I have got myself heavily booked up with other things. If the picture changes and it seems that I might be free for long enough to re-embark on "Macbeth", I will let you know, but right now it would not make sense to enter into discussions about it. So could we leave it like that for the time being?

Do please forgive this being in type, but things are hectic as always.

(added handwritten) I am so deeply touched and grateful for your infinite kindness, darling.

Ever your loving
L.

Miss Merle Oberon.

20 December 2013

Ten cents a photo

Until 1929, fan photos of Hollywood stars were sent out by the film studios for free. These photos were hugely popular amongst fans and produced in large quantities. It is said that one of the studios was sending out 1.5 million photos a year, and that the total of photos sent by the studios and freelance actors amounted to 50 million a year. Beginning in 1929, fans would be charged for the photos (10cts for a 5x7" photo, 25cts for 8x10" and $1 for 1x14"). They'd receive a standard reply card from the studio (signed by the actor whose photo had been requested), saying there was a rule against sending free photos and asking the fans to pay for them in advance. There were Hollywood stars, however, who refused to charge their fans for the photos. Charlie Chaplin, for example, argued that he owed his success to his fans, mostly children, and to ask them for money would be unfair. Chaplin would continue to send out photos free of charge, which must have cost him a fair amount of money (considering he received 20,000 fan letters per month).

Charles Chaplin



Here are two reply cards from Warner Brothers, one signed by Errol Flynn, the other one by Olivia de Havilland.





And reply cards from Paramount (signed by Fred MacMurray), Twentieth Century Fox (signed by Fredric March) and Samuel Goldwyn Inc. (signed by Merle Oberon).




Fred MacMurray, Fredric March and Merle Oberon