Edmund Goulding's successful weepie Dark Victory is one of the many great films from 1939 celebrating its 80th anniversary this year. In a nutshell, the film is about a young, spoiled socialite who is terminally ill and falls in love with her doctor. Bette Davis stars as the socialite Judith Traherne, a role originally played by Tallulah Bankhead on the stage. (The original play Dark Victory, written by George Brewer Jr. and Bertram Bloch, only had a short run on Broadway in 1934.)
Before Bette's studio Warner Bros. purchased the movie rights, the rights were owned by producer David O. Selznick who had bought Dark Victory as a vehicle for Greta Garbo in 1935. Garbo, however, chose to do Anna Karenina (1935) instead and the next few years Selznick tried unsuccessfully to cast his picture while also facing problems with the script. Warners eventually bought the property from Selznick in the spring of 1938. Studio boss Jack Warner was at first uninterested in the story -- a film about a heroine dying of brain cancer surely couldn't be good for business -- but he was eventually persuaded by associate producer David Lewis and screenwriter Casey Robinson to take the film off Selznick's hands.
Dark Victory was initially acquired by Warner Bros. as a vehicle for Kay Francis. Due to her row with the studio, however, Francis was demoted to doing Comet over Broadway (1938), which Bette had rejected, and Bette got to play the coveted role of Judith Traherne, a role she would later call her personal favourite among the many roles she had played.
While Bette didn't get to play with Spencer Tracy in the film version of Dark Victory, they did perform together in an adaptation of the film for the Lux Radio Theatre, which aired in August 1940 before a live audience. It's really great to hear this version with Tracy in Brent's role and to imagine how he would have played it on screen. I'm sure that Tracy would have handled some of the dramatic material better than Brent. Still, I love Brent and while he has his usual wooden moments, his overall performance in Dark Victory is fine. What I especially love is his natural and playful chemistry with Bette, in particular during their Vermont scenes (that they were real life lovers probably helped). In case you're interested in how Tracy handled the role on the radio, just go here.
TO: Hal Wallis
FROM: Casey Robinson
DATE: August 19, 1938
SUBJECT: "Dark Victory"
Dear Hal:
I note that at M.G.M. they have postponed Northwest Passage, leaving Spencer Tracy without an assignment. They are trying to put him into the Joan Crawford picture, but he is refusing the part [The Shining Hour]. That seems to leave him open for borrowing, and I plead with you to make every possible effort to land him.
Please forgive my pushing my nose into casting which, strictly speaking, is not my concern, but you know that you and I have nurtured Dark Victory along for three years and I am concerned about it as I have never been concerned about any other picture. It is, above all things, a tender love story between a Long Island glamor girl and a simple, idealistic, more-or-less inarticulate New England doctor. If we don't capture this feeling in the proper casting of Doctor Steele, I know we will wind up with a tragic flop instead of a truly great picture.
I don't know if you've found time yet to read the entire script, but if you have I'm sure you will agree with me that Tracy was born to play this part -- and of course I don't need to tell you what the combination of the names of Bette Davis and Spencer Tracy on the marquee would do to the box-office.
Sincerely,
Casey
Note
In April 1938, well before Bette Davis and George Brent played Judith Traherne and Dr. Steele, Barbara Stanwyck and Melvyn Douglas performed the roles on the radio, also for the Lux Radio Theatre. It's quite interesting to listen to this version as well, not only for Douglas in the role of the doctor (and to compare him with Brent and Tracy), but especially to get a sense of what Barbara would have done with the role had she been allowed to play it on screen. Barbara really wanted to star in the movie and was furious when Warner Bros. gave the role to Bette, one of Warners' own contract players. (Incidentally, this radio version is an adaptation of the play while the second radio version is an adaptation of the film.)
The Classic Movie Blog Association is celebrating its 10th anniversary this year. To celebrate this milestone, the CMBA is holding The Anniversary Blogathon and this post is my contribution to it. For all the entries of my fellow CMBA-ers, just click here.
Thank you for all the interesting information, and for the links to the radio programs. Looking forward to listening and re-watching Dark Victory soon.
ReplyDeleteIt's great to listen to those radio versions and there are so many Lux Radio Theatre clips to be found on YouTube. Last year I was lucky enough to re-watch Dark Victory on the big screen, which was wonderful. Thanks for visiting!
DeleteIt's always so interesting to see how the casting of films evolved. Tracy would have been great. I must say, George Brent always leaves me wondering at his appeal. I know the ladies loved him, so maybe I'm missing something.
ReplyDeleteWhile George Brent may not have been one of Hollywood's finest actors (sometimes his acting can be quite bad) I really like him. He was so charming and handsome, especially in his pre-codes when he was still moustacheless. It's all a matter of taste of course. Thanks for reading!
DeleteGreat post. Must try and listen to some of the radio broadcasts you mention. I thought George Brent was well cast. That ending with Bette going up the stairs has to be one of the biggest tearjerkers in filmdom!
ReplyDeleteThanks Vienna! I think Brent was well cast too. He and Bette had such great chemistry which is really essential for the film. But Tracy would have been fine as well, I think. The ending is tearjerker material indeed!
DeleteFascinating back stories galore! WOW, thanks for this. Like Bette, I would have loved seeing Tracy in Dark Victory with her.
ReplyDeleteAurora
Once Upon a Screen
At least we have the radio version. Thanks for reading!
DeleteWhat might have been...I've always wished Bette had stronger actors to work with than she usually did during her heyday years. She did have Claude Rains for Now, Voyager and James Stephenson in The Letter. George Brent is fine in his way but...
ReplyDeleteA very interesting contribution for the anniversary blogathon, next I'll listen to the radio program. Thanks!
Brent's acting abilities were rather limited indeed and it would have been interesting to see Tracy in the role. Thanks for visiting!
ReplyDeleteSpencer Tracey would have been A-M-A-Z-I-N-G in this role, and I'm a little sad that didn't happen.
ReplyDelete(Thanks for the links to the radio shows.)
Unfortunately we'll never know how "amazing" Tracy would have been, but the radio show will give you some idea. Thanks!
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